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himself: an unkillable enthusiasm combined with a singular lack of talent.

There is that nagging feeling that one gets that they are laboring on drek, and that all of one's bravado is nothing more than those attributes of Edward D. Burton addresses this in the commentary track, where he comments that when one is working on a project that one must convince oneself that it is the most important project in history, or one runs the risk of not giving it their all. It is clearly one of his most personal projects, and it is one that speaks to artists world over. This is my favorite Tim Burton film, and the one that I often point at as being proof that he can produce art, Planet of the Apes notwithstanding. It had a very unique flavor that was used in many science-fiction scores of the period (most notably in Bernard Herrmann's The Day the Earth Stood Still). There's also a nice piece on the theremin, which is played by moving one's hands around a field generated by the instrument. One of the documentaries concentrate on the portrayal of Bela Lugosi, featuring interviews with Martin Landau and make-up artist Rick Baker, both of whom won Oscars for their work on this film. This is clearly a project that everybody involved had a lot of affection for, and so even though the film didn't do well it is one that is clearly something to be proud of. I find many of Tim Burton's commentaries annoying because he tends to trail off a lot if he's alone, but if he has somebody to play off of, there can be a lot more gleaned this one has not only his own comments, but those of screenwriters Scott Alexander and Larry Karaszewski (recorded together) and Martin Landau, who amiably hosts the track in his Bela Lugosi voice.

This is a really nifty package, featuring a great transfer of the film, a couple of short pieces on different aspects of the production and an illuminating commentary track. Well, my next one will be better.īecause it was Easter Sunday, I had nothing to do so I was able to finish up The Office special and turn my attentions to the DVD of Ed Wood, which I had purchased last week. How loud will these evangelist charlatans be in proclaiming themselves mouthpieces of some Almighty figure when they can get hit with a $20 million lawsuit for consistently lousy weather? So chew on that, why don’t you.One of the main things I think ought to be done in order to give the United States the push it needs to make it out of the Middle Ages is allow synagogues, churches, mosques and other places of worship to be made financially responsible for 'acts of God.' Think about it. What’s more, during the conclusion where’s she tying the knot with Foster, it’s explicitly indicated that she’ll be abandoning her reporting career. Yet the climax involves our spunky girl reporter being damsel-napped by Lorenz and remaining quite helpless throughout. It passes quite handily, with a bride and her mother talking about the possibility of the former dying at the altar, the Countess harassing Pat, and Pat explaining her scheme to Peggy.

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The one exception is this rather surreal barbershop sketch that must be seen to be believed.Īnd now comes the first crack in the belief that the Bechdel Test can divine feminist intent in a movie. A good thing too, as the riffing is still a bit tepid and the host segments unmemorable. But it’s doubtful the Hays Office would have been amused.Īs poverty row studio mad scientist films go, it’s engaging in its own right. Though it would have been neat if, much like in Cast a Deadly Spell, Lorenz ended up being taken away by an eldritch abomination during the climax because it turned out that Pat is a girl with some experience. Of course, this doesn’t consider the possibility that the lovebirds might jump the gun. My best guess as to why is that whatever he’s extracting from the brides can only come from virgins. Its most glaring flaw (pointed out by Crow in the end) is that Lorenz insists on kidnapping the brides in such an overt fashion.

The feature happens to be one of the steps in the sad decline of Bela Lugosi’s career where he was being typecast in mad scientist roles.

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On the plus side, the plot sees some genuine advancement rather than getting sidetracked in padding. If you’re not fond of chases, then this chapter of Radar Men from the Moon is not going to be for you.